Prehistoric Site Museum Display Method

In history class museum occupies the important position in the museum of China.History class museum display design research is also important to practice. In history classmuseum, site class museum occupy a very important position, prehistoric site museumdisplay design and general museum display design has to do, this problem has been botheringme. In guiding the teacher prompt and encouragement, I chose this topic to write agraduation thesis.In this paper, the first part is the introduction, introduced the thesis writing thoughts andrelated situation, the second part to the site class museum research literature reviewed andsummarized, and the third part is to analysis and comb, in this paper, the key concept of thefourth part is the quality of the museum exhibition designer, the fifth part is an introductionShenyang XinLe sites and XinLe ruins museum, including XinLe site display design conceptis the key of the article, puts forward the personal view here. The sixth part is the conclusionof the paper, based on previous studies and personal opinions, the author is a prehistoric sitemuseums display methods has carried on the induction and analysis:First, prehistoric site museum display method and the difference between generalmuseum Prehistoric site of the museum’s display way relative to general museum has boththe common side, also has its individuality, site to its original state display is the most basicway, so that ruins museum display design and architecture design must be overallcooperation, the cooperation of the depth and breadth is less than the general museum. Showpattern in China, the site general pattern is affixed with a big span roof above the site, willpass to probe the site all cover up, make the site and the outside world, such as sites of xi ’anterracotta warriors, the Banpo site, Jinsha ruins are such display way, this way is easy tooperate, for the protection of cultural relics, but will require more money early, late buildingitself maintenance is also a big number. Other patterns, and Shenyang XinLe site this pattern,this pattern less investment, around the border of the protection zone with circle of walls,partition, the sky is still not with the outside world after the audience into the enclosed space,archaeological presence on site and realistic can also be set up immediately. Two modes ofthe pros and cons. Second, the prehistoric site of the museum’s display recovery method and the differencebetween general museum History class museum are more or less when arranging displayinvolves recovery display method, general history class museum display recovery when itcomes to the scene, is in the "to do" scene, such as the daily life of the ancients, woundsmarried marry, and so on, are all according to the relevant materials to the scene. Do scene isfalse, although is to give audience to create a real sense of history field. Prehistoric site of themuseum’s display design also involves recovery method, but this method and the general ofthe museum’s recovery is not consistent, the location of the prehistoric site of the museum’sbiggest feature is not change sex, location, not only on landscape restoration, restoration isthe site of the scene of the recovery, is under the environment of the real recovery, XinLe siteaddress on the recovery, for example, is the archaeological excavations revealed that in realspace, is in situ recovery, the recovery effect is created by the general museum. In the ancienthistory closer to the true extent.Part three, the prehistoric site museum outside like park, to design from the viewpoint ofsuitable for the rover to visit Prehistoric site museum and visit the museum of the generalaudience’s mood is different, visit the museum of prehistoric sites like to go to the parkroaming, for "rover" arrangement convenient traffic routes, such-process design should jumpout of the museum building itself, to the outside of the environment are all taken into account.Rover, the audience is a specific locations in experience and create its individual space, thatis to say, the audience will museum this group place into the space of individual significance,it transcends the traditional exhibits as the core didactic display, in a broader perspective toexplore the potential of the museum.Is reflected in ruins museum space construction, thedesigner must more deeply on the shape of the people demand space environment. Taboo"fast", advocating the "slow" bending, for those who escape impetuous society provides a"private space" and "time".Part four, the prehistoric site museum interior design and general museum hasconsistency Prehistoric sites in the interior part is the interpretation of site deep information.General museum is the success of the method can be also must be used here.To meet thedevelopment of era, reasonable use of high-tech means, materials and methods. Find ways tolet the audience to participate, let the audience to interact with exhibits, the theme of the performance in a variety of transmission methods Jane exhibits, connotation, significanceand the close relationship with human life, let the audience’s interest and the history of thecollection, stories and anecdotes. In the indoor design, want to more inquiry to absorb someof the results to the design, let the audience see see see doorways to understand.Five, the prehistoric site museum design for white space, to provide the public with athinking space Prehistoric is a distant era, because the time is too far away so we have a lot ofmystery, the mystery is not only the confusion, the researchers in the museum is also thefocus of the public. To Space Museum display design, to inspire the audience interact withthe museum, together explore the mystery. In outdoor site area, neither all the site to show tothe audience, also don’t recover display excavating the ruins, we must keep part of the logo ismade in the earth’s surface.In indoor display area, with which the ancient information has notbeen revealed, what and why problems in study of prehistoric sites abound, we should choosethose we pay more attention to problems told it has not been solved, is the so-called culturalrelics we enjoyed, doubt facies analysis.