Research In The Field Of Protection Of Cultural Heritage In Northern Ecological Museum

The concept of eco-museum is one kind of new ideas which produced in the reform of the international museum field.This concept was first produced and used in European countries, then spread all over the world, making significant contribution in protecting cultural diversity. China had put the concept of eco-museum into practice in the1990s, in the following just a few decades, the idea got positive response in all parts of the country, a new batch of the eco-museums which based on local characteristics gradually established.Chen Lu town which is located in Tongchuan,Shaanxi province, is the only place where Yaozhouporcelain is still making. In recent years, because of the remoteness, the slowness of technical innovation and so on, development of Chen Lu town increasingly lagging behind.Under the influence of the modern mode of production, as an intangible cultural heritage, traditional Yaozhou kiln porcelain making technique is also faced with an awkward situation.How to protect the traditional custom of the ancient town, promoting the development of all aspects of town at the same time, dozens of researchers and cultural heritage protection agenciesis thinking about this problem.In this paper, the concept of eco-museum is used in protection of Chen Lu town whose main characteristics is ceramic culture. We start from the cultural characteristics of Chen Lu town itself, putting the regional development and the protection of cultural heritage together.The paper on the one hand, further promote the existing intangible cultural heritage protection project, on the other hand, will drive regional development as one of the goals of eco-museum development, with the help of cultural creative industry development form and modern management mode, integrate Chen Lu eco-museum features into the visit at various stages of the process of tourist experience. At the same time, this paper discusses the potential impact on the local from Chen Lu eco-museum, combined with local the truth in China, with the foothold of the northern region, put forward my views about what role this form can play in the field of cultural heritage protection.