Construction Of The Drawings In Painting

Modern oil painting is a kind of highly inclusive painting category, with a variety of ways of thinking and various of description. In the creation of a certain piece, starting from the motif, contigency and illusion are utilized to keep visual factors such as color and shape evolved and extended in order to build up the whole picture and schemas,and drawing language.And this has been considered to be one of the painting methords of modern oil painting,in which much more attention has been focused on how to establish a perfect schema language. With in such kinf of schema language, both the interpretation of presence of the artists themselves and the artistic way of thinks as well as aesthetic pursuit form the artists will be reflected. In the process of the continuous changing of schemaic way of creation,an increaing number of artists a certain kind of unique painting language in their pictures,so that a distinctive spirit of the time could be presented in their work.In this paper, starting form the perspective of a creator, the origin and evolution of the schema in this way of painting, and the establishment of the drawing language has been analyzed and studied, there are five parts in this paper:part one will be the Introduction, where the main theme of the paper and purpose of the study and research importance have been stated.Part two will be showing the evolvoing process of modern oil painting schemas, interpreting the significance of schemas in painting, and the origin and evolution of schemas in the development of oil painting, from classic to modern, will be introduced as well. In Part three,the alienation of motif in the establishment of schemas in modern oil paintings will be introduced. In this part, the influence, imposed by the change of schemas, to the motif, and the intepretation of motif will be analyzed. Part four will be intruducing the formation and development of modern oil painting language, where various of possibilities of establishment of such language in painting methods will be stated by showing the initiative pursuing and passive transfering in establishing such kind of language. Part five will be mainly about the application of schemas and painting language. In this part, taking the creation of the writter as an example, the specific way of thinking and application of such way of painting in the process of artistic creation will be stated.By the study and analysis of the way of artistic creation,a new interpretation of modern oil paintings will be provided,which interprets the way of creative thinking from the viewpoint of the creators, instead of making conclusions of a certain style or school the art piece belongs to. In this paper, combined with his own experience of artistic creation, the writer intends to interpret the schemaic origin, way of thinking and actual application of such kind of painting method.