| Point King in classical landscape painting is called: "one's eyes", although these points in a landscape scene of the ink, the rules on the proportion of small, but it can map out the full picture of the mood, improve the real work sense of fun, play an important role. Pen and ink artist, not only in performance, composition, colors and so carefully try to figure out, but in point of King figures, animals, Zhou Ji, bridges, etc. On the screen placed in the position and shape on the painstaking efforts to shape the point scene is reflected from one aspect, the author aspire to the living environment or living conditions at the time,is that we understand the artist himself painting style, and its overall painting characteristics of the times, help us to learn from a comprehensive picture of a deep understanding of important elements can not be ignored. As part of the most important point of View - Point King figure is even more eye-dotting the screen has a role. A landscape painting of the scene is static, and if coupled with different forms of characters as the point of scenery, can be sublimated to the theme of landscape painting, the picture is more vivid and appealing, giving presents, "livable, can we go" in true feelings, so that it is an important part of landscape painting. Point King figure, though small, from the style of the meaning.Never appears to constitute a frame must be factors, but also often been overlooked, but can be expressed anger people activities, like an article turned a deaf ear, you can see the great small, played sublimation subject awoke the role of the screen, so that screen is more vivid nature, have an affinity for the role of the audience to better impress the viewer mind at the same time affect the entire landscape of the mood in the Chinese landscape painting has a very important aesthetic significance, so we look at a landscape painting in the creation and when the decision can not be ignored.In this paper, a comprehensive exposition of the three sections of the mid-point of classical landscapes, figures King schema evolution and semantic categories, in-depth analysis point of King figures in the characteristics of each period presented, through the point View schema analysis and comparison of figures summarizes the point of King in China classical landscape painting in the unique aesthetic value. Chapter I: Point King by an overview of a clear point of King's classification, the introduction of characters point of King's important role in the landscape. Chapter II: The People point schema King presented at various times discussed the different characteristics of points as the starting point icon King character evolution. Chapter III: From the point of King characters schema types, schema types of semantics and compares the King figures in the classical set-point in the aesthetic value of landscape painting. |
