LiShaoGong Female Trilogy And Her Feminism

This article famous Chinese director Li Shaohong female TV drama trilogy " Palace of Desire "," orange red "," Storm" as the research object, through content analysis of the text, symbol analysis, psychoanalysis, etc. method combines the theory of communication, LiShaoGong female perspective and focuses on the tragic mode. This article first feminist film performed briefly with Chinese women, explained the history of feminism and retrospective films and cultural background of Chinese women, for women film to be defined; then Shaohong history and its tragic mode profound analysis, historical distance " real history " farther, reflects a strong sense of self directed. Reflects its trilogy of three types of human society, the tragedy of women must face:to survive the tragedy, the tragedy of fertility, love tragedy. Then discuss Shaohong TV drama through the use of symbols related theory of semiotics, because film is a collection of symbols, which itself has a strong symbolic meaning, the director relies on a different connotation and denotation of symbols to represent their theme. Finally, the male image analysis Shaohong trilogy and think about the future of Chinese women are summarized television drama.