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Freehand Modeling And Painting Portraits

Posted on:2014-11-02Degree:MasterType:Thesis
Country:ChinaCandidate:T MiFull Text:PDF
GTID:2265330425953912Subject:Art
Abstract/Summary:PDF Full Text Request
As the grow with each passing day Chinese cultural influence in the world, Chinese painting also began to get more and more attention to the world. Chinese painting has experienced from the brilliant to decline to the three stage of prosperity, we are in the prosperous period of time, is a be just unfolding, promising opportunity for development, but had some problems during this period of freehand figure painting theory and creation practice, the most important ink and other disputes, theoretical circles and many famous artists engaged in a fierce debate on this issue in twentieth Century, almost all the Chinese painting development is accompanied by this topic. Do not solve the relationship between ink and other two will directly affect the development of freehand brushwork figure painting.Theory to guide practice, we must solve the relationship between shape and ink, it is because the two are indispensable factors of freehand brushwork figure painting. The essence of relationships can only sort out of the two that we really understand freehand figure painting. Exploration through the practice of brushwork and sculpt, we can see that the two seemingly contradictory, but are interdependent, how the two organized together, into the whole picture, what we should do. We don’t get on two or higher or lower, the merits, because out of the picture, two this is not comparable, so we must be in the process of painting practice, constantly in-depth study of ink and other two kinds of means. In order to create more and better works of the era.This paper is divided into four parts.The first chapter, is the preface, expounds the freehand brushwork figure painting of the research background, purpose, method and significance, and puts forward the research should be discussed in depth.The second chapter, the origin, the text discuss the text, emphasized the unique aesthetic, to further strengthen the aesthetic conception of meaning.The third chapter, through the research on the other, and with the western art of organic combination, so that the freehand figure painting can be more accurate, more nuanced portrayal of objective reality, bring people more vibrant artistic effect.The fourth chapter, further illustrates the importance of art, through the modeling and writing, development and Prospect of application, better describes the present problems and development direction of freehand brushwork figure painting needs to solve.
Keywords/Search Tags:other text, aesthetic standards
PDF Full Text Request
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