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The Influence Of Lively Spirit To Chinese Traditional Painting Aesthetic Standards

Posted on:2014-01-13Degree:MasterType:Thesis
Country:ChinaCandidate:W W WangFull Text:PDF
GTID:2235330398977781Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The Six Rule as the guiding Chinese painting creation and aesthetic of the highest law, Chinese painting of the following the aesthetic standards and aesthetic orientation produced profound influence thesis meaning six core lively deed for entry, the lively happen social background theory and ideological basis and gas rhyme meaning and produce process to make a similar to explore and discuss; And the lively and six relations lively specific meaning understand angles, and subsequently the painter and painting theorists its inheritance and development for a comprehensive discussion.This paper think artistically vivid generated theory and thought foundation around but was undoubtedly the social background and the traditional Zhuangzi the influence of metaphysics, which includes the word Xuan element is false or true, content rather than a series of aesthetic phenomena and aesthetic interest in the feudal society’s each period, the aesthetic orientation and painting theory all without exception is lively as the core to the laws of effects, such as Wudaozi when the wind all kind of heart to pen to draw on their aesthetic imagery of the proposed that is to lively inheritance and development, but also "lively" who practice what agent lively song for later literati painting of popular, and finally become the mainstream of Chinese painting occupies large deodorants mention."Lively" also for later literati paintings of Song dynasty and Yuan dynasty, and eventually become the mainstream of Chinese painting, occupying big half provides theoretical basis and ideological source, its influence over today. However, since Su shi literati painter to try to pursue the "lively" at the same time, to weaken the other five method, makes the "six" appeared lack aesthetic system. Blindly pursue verve, escape the painting theory of dominance for the Chinese painting, and led to the development of Chinese painting aesthetics in deviation from the traditional realistic concept, also resulted in the hundred years sick, Chinese painting gradually in the condition of a feel regret and embarrassed; Until "the eastward transmission of western sciences" and other Sister art intervention and the fusion, people and spirit for relationship, for "lively" and other five method the syndrome differentiation system of aesthetic gradually get system and comprehensive inheritance and development.
Keywords/Search Tags:lively, Traditional painting, Aesthetic standards
PDF Full Text Request
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