| Marginalized narrative film with the degree of social civilization and deepening，increasingly receive more and more attention filmmakers, by the way they shoot withfilm cameras in the hands of a true representation of the living Survival status of thisgroup expressed. In recent years with the marginalization of narrative film workemerging, as well as more people begin to pay attention to this group includes thosemovies about marginalized groups and those filmmakers. Marginalized groups areconcerned that the film is a dramatic change in the social transformation of the corner,Those who have no right to speak of marginalized groups, in such an earth-shakingchanges have taken place every day in the city to survive the corner，no guarantee oftheir lives, even living standards are lower than, only among themselves tosurvive.Marginalized groups films of this documentary true expression, the record ofthis group with a video mode, want in the real world so that these marginalized groupsof people to get their real value and meaning.With the marginalized groups movie portrayed the gradual deepening, dig intomore social factors and human factors, draw attention to these special populations isthe result of social progress is the product of self-selection of an individual reflection.In such a large social environment, how to survive became marginalized groups must seriously consider the topic, this state of life out of the mainstream, more importantly,not just on the social relation More importantly, the On the level of spirit even to lostthe good and evil. Whether it is against ideological restraints shackles of rock youthor be a flood of urbanization torrent migrant workers who arrived in the big cities isnot found identity positioning the disoriented thieves to locate and disoriented, sexworkers, etc. Although they all have different life experiences, but they all weredubbed the marginalized groups in society title, in this living environment, they haveno way to fight for their. Filmmakers took advantage of this social phenomenon,binds to its own experiences and encounters Create this movies full of emotion andsoul type.captures this group wants to show the spirit of the state with the world,through the lens of realism, these marginalized figure has become a kind of symbol,has a more profound significance extends beyond the movie.In the movie marginalized groups, the director is no longer focused on traditionalfilm narrative that simple, with the films voice, color and other traditional imagemode carry the narrative, but more fast-paced mix of personal emotional expressionand emotional clip, makes the performance of the film, whether marginalized groupsare making movies from the narrative point of view or image expression seems a lotof fullness. They manifested the marginalized groups no obvious boundaries betweengood and evil, more of a meditation on the emotions of the people in this group, Theperformance of their shots in the attitude of marginalized groups is head, give thisgroup a sound platform. It is this pursuit of realism and anti-traditional mode ofthinking, marginalization of narrative film making avant-garde films personalizednarrative slowly capturing the attention of more. Marginalized narrative film onlyreally understand Chinese audience, find a movie theme and audience psychologymeeting point to really move people, to gain market recognition.Paper is divided into four parts; the first chapter focuses on the formation and thesurvival status of marginalized groups, starting from marginalized groups formed forsocial reasons, extends to the environment and the survival status of marginalizedgroups living on the movie’s performance and marginalized groups. The secondchapter is marginalized the role of shaping the meaning of the movie,directed by theaccumulation of life experiences and feelings to shoot out of the performance of thesemarginalized groups living condition of the film for the film industry, it has been notjust a movie so simple, the amount of information covered in the film is also rich,impressed the audience the hero of these films have been marginalized as a classsymbol. Chapter III study is aesthetic characteristics marginalized movies, throughthis type of film narrative strategies and visual style refined analysis of themarginalized groups to strengthen awareness of the movie on film aestheticsconnotation. The main conclusion is the last part of the basis for marginalized groupsthroughout the movie received after becoming concerned about the audience and thefilm industry, the future direction of development and how to adapt in the film marketfaster, for this group to secure a greater say, also won more recognition for thesemarginalized groups movie creators. |
