| Chinese flower-and-bird paintings rooted in Chinese profound cultural soil, in the long development process, it blended in the Lao-Zhuang’s Philosophical Idea and the concept of thinking. it is an important part of Chinese culture. The philosophy thought of Lao-Zhuang is the core of Taoist thought, its connotation and profound affects all aspects of the society. Lao-Zhuang’s thought in keep with Chinese art spirit to a certain degree. In Chinese flower-and-bird paintings, we can see that the impact of Lao-Zhuang’s thought is profound. Lao Tzu’s "simple","no-action", Chuang Tzu’s thought of "free" and "thing and I being one" influence the painter mood expression and feeling expression. Then, it appears to the "silence","Jane","escape" in paintings. Chinese flower-bird painting is not simple representation of nature, but pay attention to the performance of the self-consciousness, painters pay more important attention to emphasize "self-consciousness" to creation the performance object. This paper regards Lao-Zhuang’s thought influence on the flower-bird painting as the main line, from the three aspects:the connotation of Lao-Zhuang’s thought, the painter’s personality spirit of "the Tao way follows nature" and the influence of Lao-Zhuang’s thought to Chinese flower-and-bird paintings. |