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A Week Dali City In Yunnan Horse Art

Posted on:2013-02-11Degree:MasterType:Thesis
Country:ChinaCandidate:Y Y JiangFull Text:PDF
GTID:2265330422457821Subject:Ethnology
Abstract/Summary:PDF Full Text Request
Acceleration in the process of modernization in China faced with the changingtimes and change of ecological environment, dramatic changes are inevitable in thecultural. As a form of artistic expression of the folk prints, jiama of zhoucheng playan important role in the background.It is a bridge of communication from human togod,it’s a spirit drug to civil people to escape digestion and disasters, exorcise andcure diseases, and to drive the ghosts away.Jiama first appeared in Central Plains Hanin Tang dynasty. With a lot of station troops in the Ming dynasty, it was brought intoYunnan. Dali Bai people hold an open mind to combine with the local culture. Theycreate a large number of particular jiama god in Bai. It enriched the jiama and made asignificant contribution to the development of jiama.However, as time went by, the development and progress of society, jama hasalmost disappeared in the Mainland. People has no longer knew what is jiama.Butjiama’s living condition in Dali of the border of Yunnan province is much better thanother places. But it’s living condition is not optimism. And how to reverse this trend,the Inheriting and development of jiama art,studying on jiama art has becomeimportant particularly.This article This field investigation of locations select in the town of zhouchengin Dali Xizhou State of Yunnan province.It is a Bai village where is the biggest andhas the most population in China. It is a community that has the significancerepresentative of Bai traditional culture, production lifestyle, main culture, social life,and jiama survival development. At society and culture violent changes, it still cankeep up with Bai traditional culture and multiple culture harmonious coexistencebetter at the same time. Choosing the jiama as a research object in this region, it has agreat theory significance and application significance, and feasibility of investigationand practice.In this article,jiama of zhoucheng’s culture ecological environment as thebackground, through to jiama concept, definition, origin, production process, content,application in the folk and Dali native culture, social customs, Bai history as thesecond chapters.From the whole of the Dali zhoucheng jiama arts become a comprehensive review.On this basis, in-depth digging jiama art historical, practical,cultural, aesthetic and other aspects of value. Jiama’s present backgroud ofinheritance and development as the main line in the end. Analysis on the way ofzhoucheng heritage and inheritance change in the new background, to further explorea development road of jiama art heritage.
Keywords/Search Tags:Jiama, Culture, Value, Heritage
PDF Full Text Request
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