Derived From Natural Forms

Folds costume design in an important and common performance practices, either from thetraditional costumes of various ethnic groups to haute couture, from the daily dress, fashion andfashion culture has a rich form of effects, from ancient and modern, post-modern,digital-generation dress style to present a wide range of fashion design, reflect a clear evolutionaryclues.The fold design resources, inspiration, theme, learn, of course, from the classic case, themaster of style, history of clothing image, natural substances, landscape, phenomenon and texture,elements, structure, however, is undoubtedly more revelation to design clues and methods. Themagic of nature filled with ubiquitous folds form and imagery, Taihu "thin, drain thoroughly,wrinkle, the attitude of the peony flower in full bloom petals, coral bump ups and downs coiledcomplex, a pond breeze rippled when ripples, have given us the most direct revelation. I researchtopics thesis writing and design practice, is trying to change natural phenomena resources to lookfor, find and peel folds either explicitly or implicitly in the form of trajectory to them as theprototype, after transplantation, simulation, deconstruction, fractal body and other techniques,students become the costumes form of a language and visual features.The paper is divided into four parts. First part of the concept of folds interpretations from theform elements of composition and history and famous to the ways of the depth of interpretation.Second part, mainly to expand the concept of folds and semantic categories, such as Deleuze,Foucault "creases","folding" and other concepts, as well as the complexity introduced into themodern Western literary theory, fuzzy sense. The third part is mainly based on architecture, art,design, success stories of modern arts and crafts described with reference to the third part, todescribe a variety of sources of diverse types and styles of natural objects, to analyze themorphological characteristics, as well as on fold design the possibility of revelation, and combing,such as simulation, deconstruction, variant imagery and a series of design practices to enable thenatural prototype costumes and decoration composition in the form of the subject, to become thedominant visual elements or components. The fourth part is the author of "natural form" designtechniques and formal language design experience, the description of a number of creative caseillustrates the path of thinking and form generated from the resource to the design practices. Ultimately through the introduction of new concepts of natural theme, combined with the author’sdesign experience, trying to pop culture and fashion is ever-changing state of affairs in theinformation age, the digital age in a multicultural context, rich and expressive language for appareldesign, add new possibilities.