In "the Hometown Of Lu Xun", For Example Analysis Of Wu Guanzhong Middle Features In His Artistic Creation

Wu Guan Zhong is holds an important position in the development of Chinese modern and contemporary painting of the painter, he devoted his life to research the way of the combination of traditional Chinese painting and western painting, trying to put the traditional Chinese ink painting and technique of expression of western modern art together. In his works, often can see the spirit of Chinese ink painting and the western modern expression of visual impact, he with canvas language as a medium of expression of traditional Chinese Oriental connotation, this unique painting thought and influence, not only highlights the essence of Chinese traditional culture, but also expanded the Chinese oil painting performance space.This article through to Wu Guan Zhong’s masterpiece "the hometown of Lu Xun" series of research and analysis, emphasis on Lu Xun in the humanities spirit, patriotism, art concept for the aspects such as the profound influence of the Wu Guan Zhong, in-depth understanding of the characteristics of its artistic creation during the80s. With the individual artist as the breakthrough point, in the special times in the80s as the background, the research analysis to explore the early China’s reform and opening up, the present situation of the artist to survive under the market economic system, and artists change art style.Based on the research of the series of Wu Guan Zhong, you can see a painter linear trajectory, we can more clear understanding to the artist how to subjective motile looking for changes in the artistic creation, how to enrich its artistic language expression. And Wu Guan Zhong in the80s, the change of the artistic style, expounds the influence of one’s own view to me. Of course from "the hometown of Lu Xun" series of paintings isn’t hard to see Wu Guan Zhong to praise highly of Lu Xun,"looking angrily condemned, head bowed as a willing ox" spirit is not only worth to be learned, Wu Guan Zhong of contemporary young people can learn more. Such a "ground" word reminds me the artistic creation also to "ground". From the landscape painting of Wu Guan Zhong works, we can strongly feel the painting as a foreign media, in the hands of Wu Guan Zhong expresses the emotion of Chinese nationality and inheritance of Chinese traditional culture.This article tries to Mr Wu Guan Zhong during80-90-s art creation way to do a comb, by Wu Guan Zhong changes in artistic creation, to analyze how artists practice between east and west painting two different aesthetic concept of the perfect combination of artistic language? How to explore the "oil nationalization" and "modernization" of Chinese painting creation concept?, of course, also can understand China’s traditional culture provide Chinese painter "nutrition", triggering a painter form personal style of thinking. And in the context of market economy, should hold the attitude of the artist for art creation.