Ideology About Hu Shi’s Literary Aesthetics

If we mention about Chinese aesthetics, many people will naturally think of Liang Qichao, Cai Yuanpei, Zhu Guangqian, Wang Guowei, etc. Hu Shi was one of the two great pioneers of the New Culture Movement, many people knowed his historical researching work, but his aesthetic thoughts had been ignoreded.Because Hu Shi did not put forward to separate its own aesthetic system, the aesthetics ideology of Hu Shi is limited,,but his aesthetic ideology actually reflected in the process of subtle problems in real life are analyzed, and on the philosophical level we have discussed the space and perspective.The aesthetic thought of Hu Shi’s in-depth research, Hushi’s understanding of aesthetic education,explain the value of Hu’s aesthetics ideology.Huizhou,Hushi’s hometown. when Hushi was four his father passed away, Hushi’s mother was a great woman.Huizhou strong cultural atmosphere and his mother’s tolerant character and learning consciousness, mother’s character of tolerance and relearn hu, had made an excellent example,as Hushi later learned about perseverance and self-reliance. Hu Shi is kind and easy-going, tolerance,humility, friends, he was interested in making friends with others,the study on the road the four words"Qin, extend,kind and slow," never forget. Hu Shi’s family education, social education and self education, a solid foundation for his aesthetic thought of civilians play. After seven years of studying in the USA, Hu Shi accepted the experiment, heavy fine observation of experimental philosophy thought, which also gave birth to his empiricism aesthetics. Mentioned humanistic care,he based on the real life, the pragmatism philosophy and aesthetics, to examine and criticize the society, to raise awareness of modern individuals, critical consciousness to the patterns of everyday life, the pragmatism aesthetic sublimation to a higherrealm.Based on Hu Shi’s poetic aesthetics, aesthetics of fiction, drama aesthetics and the system of aesthetic ideas embodied among them, summarized the core of Hu Shi’s aesthetic idea and aesthetic standards of poetry of Hu Shi, enriched the comparative study and explained the relevant category.Hu Shi thinked that aesthetic connotation of poetry was to speak clearly, material cutting and artistic level three levels. Look on the whole, Hu Shi’s poetryesthetics thought was not only the China classical aesthetics of "image" insuccession, but also to absorb foreign Imagist nutrient. But Hu Shi pursued, was not the traditional shackles, or different schools of restrictions and fetters, but a natural expression of mind. Harmonious natural, natural beauty; beauty in nature, simple, free. He believed that poetry was poetry innovation, accessing power and beauty was his aesthetic measure. He sweepingly overthrowed all bound free shackles shackles, against the traditional style, advocating vernacular poetry. In the seven years of studying abroad, so that Hu Shi could use the world literary vision, to find a new avenue to China poetry process, its eyes were sharp and worthy of praise.Hu Shi’s aesthetic thoughts in the research of novel was not reflected in. In the classical novel criticism, Hu Shi’s aesthetic thought embodied in the beauty of nature ("Travels of Lao can"), the beauty of the human body ("Jing Hua yuan")and the image of the United States ("a dream of Red Mansions") three aspects. Hu Shi’s natural beauty viewed (health advocate natural), the beauty of human body viewed (on day) and the beauty of image point (the true feeling sand noble ideas need to form the artistic image) to the important contribution to the social aesthetic concept and aesthetic consciousness of Jiao Zhengqi.Hu Shi in order to cater for the national aesthetic habits and aesthetic ability, once the western drama into China traditional drama, such as early China laydrama played form of "marriage" was in the hand of Hu Shi. In the "marriage" of creation, Hu Shi abandoned the tedious routine traditional drama, the plot makeed the plot was very simple, the background of the stage and props were very economical, dramatic form natural and lively. Hu Shi puted forward the "dramatic aesthetics principle to economy", once the impact on China played great. This also and his poetry creation against the complicated thoughts came down in one continuous line chains.Although Hu Shi never explicitly proposed the concept of aesthetic education,but he was in beautiful environment, and after he had been a headmaster, in every parts of the speech he will own the ideology of Hushi aesthetic education to the mass media dissemination. Hu Shi to pragmatism aesthetics principle new deconstruction of traditional education mode, with a comparation to the traditional mode of education was a beyond.He was fully cared of the significance and value of aesthetic, more attention was paid to the "beauty" and "economic unification with the":"for, beauty, and jiyong". Hu Shi body from western and Chinese traditional culture thought, in his subconscious guidance he was not retreat. However, he was just a scholar,cause he will only take improvement measures and gentle, this was also his limitations.The aesthetic ideology about Mr. Hu Shi had conducted the thorough research, we talked about Hu Shi for the unique understanding of aesthetic education, made comparations in research and interpretation of the related areas, to dig intothe value of Hu Shi’s aesthetics, which had guided significance for the aesthetic education in modern education.