The Research Of Drama Aesthetics Of "Truth" In The Middle And Late Period Of Ming Dynasty

Drama developed and thrived in the secular interest commonflok, mimiced a natural lust was between a man and a woman it’soriginal theme, because it had the aesthetic characteristics ofindividual emotional desire, pay attention to express personal oftrue temperament, with all the emotional desire as a reasonablereal life desire, was a kind of street of "folk entertainment". In theearly Ming dynasty, because of the neo-confucianism divided themoral and emotional unity of opposites of dialectical relations,"heavenly principle" was overrided "human desires", and it wasarised to a priori absolute justice, denied individual natural desireof the heart of the rationality, drama disseminated "deposit murder"theory of moral education concept. Flaming from morality to buildcharacter, virtue was the essence of science directly to the rigidstuffing in the drama. Literati addicted to show off theembellishments in writing, rhetoric, and increasingly drama conflictappeared in ordinary folk art features, extremely negativeindividual subjective spirit, to "heavenly principle" as the absoluteauthority to become creative theme during this period. Until the midand late Ming dynasty, the natural theory of human nature and "savemurder" conflicts of neo-confucianism, the conflict of opposites also affected the drama field. Drama was a science or human learnbecome the focus of debate, drama was illustrated moral concept orthe true state of individual emotional desire? Drama was simulatedin the composition of the method of the elders of plagiarism orimitate in flowed from his heartfelt words? These problems havecaused great thinking progress drama theorist, prompted the laterperiod of Ming dynasty drama to depict the true, true natural, truefeelings aesthetics change. In addition, the later period of Mingdynasty transition period of the great changes in social and culturethoughts. Of the emergence of bud of capitalism commodityeconomy, the traditional values of valuing loyalty over money hashappened to shake, naked street public pursuit of materialenjoyment of life and free will age fashion. The rise of yangmingphilosophy confirmed the personal nature, the reasonable parts ofthe rigidity of the selfishness feudal concept can no longer stirs uppersonal and passionate heart germination. This period of thesocial mainstream ideology was that ethical attributes the brandmark would be liberated from the durance of socialist moralstandard, the personal emotional desire to rise to the reasonablenatural day, nature and individual nature. Since middle and laterperiods of the Ming dynasty, the progress in the field of dramawriters from against the Taoism and the traditional humanismideological trend, to moral and ethical for a long time thepersecution of the characteristics of the drama aesthetic of truehuman nature, proposed the drama performance on personaltemperament, childlike innocence, nature, true feeling with richaesthetic thoughts of personal perceptual color. The aesthetic essence of the doctrine of boil down to the "true", established a"true" aesthetic category from the academic irreplaceable positionin the drama aesthetic thoughts.Around the drama aesthetics of "truth" this thesis, combiningwith the drama theory monograph, preface and postscript,commentary, inscription drama, explore to produce in mid and lateMing dynasty drama aesthetics of "truth" historical background,and from the drama aesthetic, creative, drama performance fromthree aspects, explaining Xu Wei, Li Zhi, Tang Xian zu, Feng Menglong, Pan Zhi heng, combined with the drama text interpretation,strive for full points "true" the connotation of aesthetic thought,objectively evaluate the mid and late Ming dynasty is the impact ofthe "true" aesthetic thought.