Research On The Relationship Between Poetry And Music In Sanji Of Wu Qi’s Liuchao Xuanshi Dinglun

The researcher Wu Qi once said in his well-known book Liuchao Xuanshi Dinglun, the history of poetry can be divided into Sanji(three phases)—Wangji, Handao and Tangzhi. In this paper, the author found that the relation between poetry and music has played a very important role in the division of the above-mentioned Sanji through the analysis and research; therefore, how poetry related to music in Sanji would be discussed in the following passage.The introduction mainly concluded the present research of the book Liuchao Xuanshi Dinglun and the value of this research.The first part focused on the writer Wu Qi’s life, family situation and his writings. First, we explored how his family and life experience affected his academic research through the analysis of the related data, and then we also made a brief overview of his well-known book Liuchao Xuanshi Dinglun.The second part was a research of the relationship between poetry and music at the first phase—Wangji. At first, we discussed the relationship between Acoustic songs and Giri with an emphasis of the overlap between them. And then the relationship between Siyan Poem and music has been explored. Meanwhile, the unique advantage of Siyan Poem with music based on the analysis of its internal rhythm characteristics has also been elaborated.The third part was a research of the relation between poetry and music at the second phase—Handao. First of all, from the perspective of the relationship between poetry and music, we dicussed how the famous poems Lisao and Yi Shuige impacted the transformation from Wang Ji to Handao. secondly, a deep research of the music’s influence on the formation of Wuyan Poem has been made and the reason why the Wuyan Poem represented the Handao has been elaborated.The fourth part was a research into the relationship between poetry and music in Tangzhi. First of all, the relation between the two phases—Tangzhi and Handao—as been discussed, and on the base of this discussion we made a research into the vital role Four tones Eight diseases has been played in the process of phase transformation and expounded the relationship between this theory and music. Secondly, we focused on the Ru yue’s influence on the Qiyan Poem by investigating the evolution of Qiyan Poem.We summarized the relationship between poetry and music in Liuchao Xuanshi Dinglun as a conclusion, at this part, we tried to made a relatively objective comment to Wu Qi’s standard of "three phases" through the affirmation of its significance and value.