The Art Features Of Liao Dynasty Tombs Of Han Compatible

In the Northern Territory broad land, a "softer" horse nation--the Khitan, with wisdom andcourage, to break through the Central Plains to the orthodox view of itself, the first in the historyof the Central Plains steppe empire. The Qidan nationality lived a nomadic life of hunting andfishing. In the year916, establishment of Qidan states Yalv abaoji, to his son Yelv Deguang isLiao Tai zong when changing the country Liao, active in the vast land of more than two hundredyears, successively with the Five Dynasties and Northern Song and, in the1125ad, is the JinJurchen destroyed.The Qidan nationality is an important part of China nationalities in Liao Dynasty, thehistory of the Chinese, broad and profound historical plays a key role in. But judging from theexisting literature, about the very few records, this study increases the difficulty of Liao Dynastysociety, life, history, art and so on. In recent years, along with the continuously explore the LiaoDynasty tombs, unearthed a large number of cultural relics, paintings of Liao dynasty. Even thescroll painting, both for the research of Liao, and provide necessary conditions.1975in Hebei Xuanhua Chin Village found Zhang, his family tombs, was rated "top tenarchaeological discoveries Chinese". Xuanhua chin Cun Liao tomb unearthed in the relics ondisplay in museums around the world, attracted attention from all walks of life at home andabroad. The Liao Dynasty tomb murals rich content, a wide range of subjects: Music Chartscattered, travel plans, opening the door, astronomical map, preparing figure, temperature Jiutu,preparation, flower and bird screen map, banquet map of the "scholar’s four jewels" diagram,baby play map, game map, fully reflect the economic, cultural, Liao, folk art, all religion andother areas of cultural history, has the very high historical and cultural value.This paper tries to Khitan under the rule of the Han tomb and the tomb of Liao Dynasty Khitan people comparison, comparison of Han tomb and the five generation of the NorthernSong Dynasty tomb, a more comprehensive analysis of content and artistic characteristics of theHebei Liao tombs in Xuanhua, it is a representative of Qidan ruling under the Han Chinese tomb.So we clearly see the Liao Dynasty Tombs in Xuanhua cultural origin and historical and culturalbackground, through the analysis of the content and the form of the Liao Dynasty Tombs inXuanhua content, not only can parse the mural spirit behind, also understand that the painter’slevel and artistic attainments, which provides the basis for the study of art and culture.Finally, focus on the analysis of the Liao Dynasty tomb murals in Xuanhua customs andreligious belief, we see more clearly, the Liao dynasty rule, blending and cultural interaction,mutual influence, Liao culture and the culture of mutual absorption, promote each other,common development. We see the art and the Chinese art get along swimmingly with each otherin the Liao Dynasty tomb, this is more than200years of mutual absorption and promote thestructure, it is the development of diversified culture, to build a large fusion of Chinese cultureand art.