Long Rui Colors Landscape Painting Research

Mr. Long Rui there is a depth of thought and academic insights painter. On how the development of contemporary Chinese painting what problems down the road walking, Mr. Long Rui from Chinese cultural standpoint, for the current development of Chinese painting in the year2000proposed a "close context, radical reform" of academic ideas, this is Mr. Long Rui to view the healthy development of Chinese painting made.Mr. Long Rui Li Keran nearly teacher, Huang, much to learn Song, Yuan, Ming and Qing Zhu everyone told Li Keran, based on traditional pen and ink landscape painting and the introduction of light and color shaping the art style, the modern and the traditional pen and ink color as an integrated, the color in the landscape opened up his own path. As he said:"I now pull himself to the traditional trail, emphasizing traditional standard, emphasizing the words, random hair growth, flavor and taste over time, it may kill back to pick up something and then constructed to absorb something new." After that, Mr. Long Rui exploring the structure of the Cezanne painting style with old age Binhong style free ink combine color performance draws on the use of color Western painting methods, while maintaining the traditional charm of the premise ink, color changes in the details of the pursuit of light and color in the color ink in a blend of modern beauty. The so-called "ink-based color supplement","color does not hinder the ink, the ink does not hinder the color." Mr. Long Rui experiment, freedom to explore bold, making it work in the traditional style of Landscape contrast with modern colors to achieve a new aesthetic mood, a major characteristic of his work during this period.Research Mr. Long Rui color landscape works, help us to further understanding of and respect for traditional cultural heritage, in the modern landscape painting borrows its color performance pluralism and diversity, the painting itself, understanding and grasp of the history of Chinese landscape painting the artistic performance to rise to the "Different Kinds of color," the same theoretical level, when the wind has opened up the value and significance.