About The Narrative Of Lu Ling’s ZhongChangPian Novels In The1940s

Lu Ling is an important writer in Chinese contemporary literature history, especially its novel created in the1940S is a special phenomenon which not allows to be neglected in the Chinese modern literature. This paper, selecting his novels of1940s, bases on Hu Feng’s realism creation theory and Bakhtin’s polyphony theory, summarizes its unique narrative style from three aspects:the causes, manifestations,"have" and "loss" and makes detailed explanation of the "polyphony" in the works of Lu Ling who is the highest sense realists" and "outstanding genius". This paper consists of five parts.The preface summarizes, sorts the status of "Lu Ling research", and points out the significance of this thesis.The first chapterstates and summarizes the cause of Polyphony in his novel of1940s from the two aspects.In the1940s, China is the age of turbulence. All kinds of social contradictions is still in its form and fierce changing, from objectively formed a complex, contradictory and multi-tone character environment, provides direct soil and important historical context for the polyphonic novel. When he first stepped into the literary world, with the help of HuFeng, LuLing started his writing career. Hu Feng’s literary creation theory of polyphony theory provided a good theoretical foundation for polyphonic factors of Lu Ling’s novels.The second chapter focuses on the polyphonic narrative style of Lu Ling’s novels from four aspects.Firstly, the transformation of interest point. Due to the characters of deep awareness of world progress and high strength psychological depiction, Lu Ling in the creation of the heroine image focused on the protagonist and the world. Secondly, the transformation of narrative interest, dialogue became the inevitable strategy in the Lu Ling’s creation process to achieve self-consciousness contentious. Thirdly, the characteristic of heroine in polyphonic novel is unfinished. The protagonist’s self-awareness is very important in Lu Ling’s novels, but the sense of self can not end and can not be completed and the options dialog of narrative strategy make the hero have the obvious characteristic:polyphonic novel. Finally, the relationship between the author and protagonist is equal. In Lu Ling’s novels, the heroine in a tense conversation shows their consciousness—to be master and has equal dialogue with the author.The third chapter focuses on Lu Ling on the unique narrative and aesthetic style exploration and pursuit of the "journey" and "missing".The exploration and practice of Lu Ling novels provide a possible direction for the development of the nineteen forties and the later literary development. However, the literary exploration also inevitably has questionable imperfections.Conclusion:Lu Ling’s1940s works not only carry special imprinting of that era, but also show their own unique aesthetic style. Although this unique narrative and aesthetic style still inevitable has its defects and shortcomings, Lu Ling’s literary creation still has a very high research value.