The Painting Thought Research Of Xiaovuncong

Late Ming and early Qing Dynasty, with the social unrest,theGushu DrawingGroup and Xin’an Drawing Group which is headed by XiaoYuncong became apenk after the literaty paintings of Song Danasty.XiaoYuncong required himselfwith the hemit mind and pnre style to express his enthusiastic to the Ming Danastyand intenty noble nation.Ture of the Ming and Qing Danasty era,he never be anoffical in Qing Danasty.He is willing to be a survious of a great unphearal andlived a secluded life in the contryside.Also,he send his emotions to poem andpainting and created a lot of popular poems and galligraphy and paintingworks.Not only had an influence on the development of Ghinese painting in QingDanasty,but also exemplary role to the south of Japan’s painting.XiaoYunconguse various artic form and plenty of practical painting.According to these,heconcluded rich and unique thought of painting and artig experience,which hadbecoming a rare spiritral heritage in the treasure of Chinese art.The article is sperated into four parts.The firstpart describedXiaoYuncong’ life,the background he lived and the basic aghievement of him.Thesecond part included his complex of adherent and elaborate his thought ofadherent in his poem,seals,the eitle of emperor’s reign of works,and the adherentstyle and national integrity,which is reflected from the <<Painting of Lisa>>.Inconclusion,it’s the strong sense of adherent thought that lead his unique artic styleformed.The third part pay more attention ti introduce his thought of painting,learning from the ancients and nature is the creative art rules that he stick all thetime.Both of them,he especially enphasize the way to paint natural mountains andrivers.On the basis of inhenting predecessors’,he also be innovation and unique.The fourth part introduce the art of XiaoYuncong give an impact and function onthe drawing group south of AnHui, national etghing and the painting in the southof Japan,the form of WuHu iron picture by the specific example.