Hayao Miyazaki Animated Film Aesthetic Research

This paper mainly Hayao Miyazaki animated film, for a more comprehensive collationand research system from the perspective of animated film and audio-visual languageanimated film aesthetics.As the world’s master Hayao Miyazaki animated film, his work has not only limited to" entertainment", giving the work a heavy ideological themes and rich cultural colors, willwork to enhance the height of the humanities. Breaking the stereotypes about animatedfilms and animated movies to children’s audience traditionally dominated positioning.Hayao Miyazaki animated film themes diverse, rich subject matter, whether or artisticcreation from the story to build on are very good.In this paper, art, film aesthetics and narrative as the theoretical basis, HayaoMiyazaki’s animated films for the study of all the text. First, from the perspective of HayaoMiyazaki animated film language movie screen configuration for analysis, the prevalence oftechnology in today’s computer animation, Miyazaki has always insisted on the creation oftheir own unique style of hand-painted, on the use of color also formed a unique Palacestyle, simple and bright colors mixed color creative use of color make up less monotonoushand-painted; in the composition process, Miyazaki also use a variety of scene right not toswitch, especially vision and panoramic composition used for the expression "man andnature " theme, soothing rhythm of the film plays an important role. Music is an importantcomponent of visual languages, to express themes play an important role, and Joe Hisaishicoherent long-term cooperation, so that Hayao Miyazaki animated film musical style tokeep the continuity, this article will minimalist music musical styles and ethnic customsperspective of Hayao Miyazaki animated film using the music to interpret. Secondly, fromthe perspective of the analysis of narrative plot of Hayao Miyazaki animated film type andcharacter set, you can also add depth with its interpretation of the story content. Finally, asthe aesthetic implication of this paper focuses on a chapter-depth study of the Japanesenation unique aesthetic quality, the traditional concept of the gods, and other aspects of nature and aesthetics from Hayao Miyazaki’s animated films in the natural infiltration.