Between East And West - Hayao Miyazaki Animated Film And Japanese Culture Research

From the ancient in the civil shadow to the theater animation film,Animation has its unique artistic charm, which deeply loved by peoples of the world,and The exaggerated expression means and imagination to create the human world, one dream, but also showed the cultural characteristics of various nationalities.Japanese animated films have distinct cultural characteristics.Hayao Miyazaki animated film as a spiritual pillar of Japan,The animated film has become a classic. Classic reason why a classic is because it contains the spiritual values through the ages.Hayao Miyazaki animated film was selected as the main object of study, because of his animated film flow on the human spirit and the cultural transformation of great significance, and has distinctive ethnic features and personal style. (Chapter one)The development process of the Japanese culture is a Western cultural development, in the course of development, the Japanese people developed a unique culture. Grew up in Japan's Hayao Miyazaki culture, its creation process followed the changing times, showing a different connotation. (Chapter two)This ideological content embodied in the Hayao Miyazaki animated film topic. Hayao Miyazaki animated film mainly consists of two main themes, one man and nature, and second, personal growth. In the theme of man and nature, the Oriental culture stands for "Heaven" in nature, Western culture emphasizes the "anthropocentrism."Japanese national in the process of learning to the East and West, not only inherits the Eastern view of nature, but also absorbed the Western view of nature, the Japanese nation's view of nature has been hovering between East and West. In Hayao Miyazaki animated film, Hayao Miyazaki Eastern view of nature from the first positive, negative Western view of nature, the ultimate recognition of Oriental view of nature is idealized view of nature, the Western view of nature has its rational side. In personal growth themes, oriental form of "maintaining the status quo" mode of thinking, Western culture formed a "stray - Redemption - return" growth model. Japanese nation in the east of Western cultural learning process,Both the heritage of "maintaining the status quo" of the East model, but also presents a "stray - Redemption - return" of the Western model. Hayao Miyazaki's animated film presents early this oriental pattern, later confirmed the complete works of "vagrant - Redemption - return" of the Western model. (Chapter three)Animated films on the theme of this deep thinking, can not support the animated film from Hayao Miyazaki as Japan's masters title, and these themes is a Perfect Combination Hayao Miyazaki animated film floating light and shadow images. However, the two most important elements of the screen is lines and colors. Traditional Oriental painting features the line pushed to the extreme, western painting art to shift the color to play vividly level. Japan's national art of painting to the East and the West line of perfect color art together. Hayao Miyazaki as a hand-drawing animators insist, in his animated films inherit the characteristics of the Japanese national painting,The East line of art and Western art of the perfect colors together to build a Living animated background. (Chapter four)However, the reason why Hayao Miyazaki animated film a huge success because Hayao Miyazaki is deeply rooted in the cultural soil, keep this nation from the fertile soil in the absorption of nutrients. This animated film in China today there is considerable reference.ng way to go.