The Study Of The Music Come Of Emotion Theory In "YueJi"

"Yue ji" is China’s ancient system and complete "music theory" and "music education", itsessence mainly has three aspects: one is with the heart, is focused on the relationship between the"music","heart" and the derivative political function;2it is LeLi, namely for musicians andinterpretation; Three is the relationship between reed. On one of the focus of yue ji, this paperargues that is happy with this issue on the relationship between the category. Because of the joyand the heart is as le of philosophy and social and political applications that are included in thebase. Happiness comes from the heart, which in turn affect the heart feeling, the heart the LeYuanbecause people have different specific personality characteristics, so to guide different personalitychanges and infection. Therefore, based on the theory of human nature thought yue ji as thebreakthrough point, explore and interpretations of "yue ji" in the "music" activities, manifested theinteraction between ontology and the emotion, as the important meaning of music educationfoundation. In addition, this article focuses on "yue ji" in question on material sense of the earth,from the perspective of the development of intellectual history, affirmed the "yue ji" in theimportant position in the history of Chinese philosophy. And through to the sound of music, theproblems of the origin, essence, clear the sound of music creation and its process, its performanceis as follows: first, LeNaiBen comes from the heart, is "music with the sounds for this, the soundsound born of the heart"; Second, music is the emotion externalization, based on feeling "originalmeaning" and emotional expression "righteousness", in other words, music not only with emotionas its essence, but also to show emotion; Third, music is the heart of touches by external things,lead to emotional xingfa, and emotional expression in the sounds of the results, i.e. by sympatheticheart and things that lead to emotional expression to illustrate the creation of music. For theserelated questions of discourse and its involved, if from a "sense" philosophy theory horizon towitness, involved about the creation of the "feeling" generation pattern,"feeling" the compositionof the elements,"feeling" of the heart and the role relationship and "in class" sound and emotionof the correspondence theory oriented narration, available here, both represent the "yue ji" issuesfacing in creation, also shows the "yue ji" in the theoretical construction of "feeling". Respectivelydiscussed the division of the person’s disposition and human activities,"a sense of heart" and thedifferent levels of sound music. In "yue ji","" sense in content of the thesis, after all can" sense"as the main body, and the" move "is" love ", so in the "heart and things","heart" still have to be atthe end of the main body autonomy and initiative, at the same time, by the "heart" feeling content and lead to the "love" is not simply reflect or imitation of "things", but with the "sense" of akind of emotional experience and expression, is the subject to grasp of the scale of the "heart" ofthe object of the "content", this way of heart "and the" role, not only is its "relationship betweensubject and object" ought to be embodied in the practice process, and also echo the delights in theheart of the source of the theory of internal agreement. This article through to the text context andits ideas of yue ji, comb is as follows: this is the result of "heart", the essence of "the sentiment",xingfa in "content","sound and emotion" should be, and through a "logical order" consciousnessof methodology, will be integrated into one logical deduction of consistent organic architecture, toreveal the about "sense" yue ji thought formation and the significance of implementation.