The Exposition Of The Works And Its Leading To The Art

In view of Heidegger’s medium-term aesthetic ideology, the essay makes a research onworks and its stipulation, art and the art’s nature, whose aim is to show clearly an unblockedand straight road on which the works can lead to the art flatly. The essay is composed ofpreface, text and conclusion。It sketches in the preface how the thinkers from ancient Greek until in now expounds works and art andit affirms the peculiarity and surpassing of Heidegger’s comprehension and exposition about worksand art. From the reality of the works the first part in the text develops to make detailedinquiries about the works. It has reached a conclusion that works is a special being which can openabstract truth and the existence. The second part expounds how the works opens itself as well as revealingthe truth by building a world and creating the earth. It indicates this procedure is the works leading to theworks’ existence, as well as to the way station of the art. The third parts expounds that works finally leadsto the art with its being created existence, and on this achievements approaches a subject about reality ofthe art’s poetic creation,and in the end relates how the art has created itself in sage. The part ofconclusion again sketches the way of how the works leading to the art, and gives a clearexplanation of the theory in thought and the significance of the current life.The method used in the essay is “on the way” with the exploration of the appearance on the sceneand in the eyelevel, and the explanation of the cycle and continuous digging, it directly faces toHeidegger’s thought noumenon, points out and sections out the smooth-way from works to artby himself, which is in order to reach the confirmed and thought—corrected realm in thehistoric world.