All Media Era Of Chinese Independent Film Criticism Discourse And Reconstruction

Along with the advance of science and technology and development, we entered a existat the same time by traditional media and new media, play a role of "entire media era" at thesame time. In all the media age, the Chinese film art is in a state of diversified development,as a link in the entire film industry development, an important part of film criticism hasbecome more important. But the current situation of Chinese film criticism, even heardsome criticism, often because of specious, speech is not fluent, innocuous, and pale. Thespread of network words and film criticism team cannot play its proper role, ordinaryviewers don’t concern, experts, scholars, research, movie creator to ignore become a kind ofcommon phenomenon, such as film criticism cannot assume interpret film phenomenon, toguide the actual creation, summarizes the role of film history, the resulting is a Chinese filmcriticism independent voice of decay. In this paper, starting from the phenomenon and theproblems existing in reality, the whole media era survival status quo of Chinese filmcriticism, discourse pattern were analyzed. On this basis, put forward how to reconstructChina’s independent film criticism discourse, it is not only unavoidable task film criticismin China, to the demands of the rapid development of the Chinese movie itself.