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Study Of Language Art In Qiong Yao’snovels-a "Sunset Red" As An Example Of A Few Degrees

Posted on:2014-08-07Degree:MasterType:Thesis
Country:ChinaCandidate:X J WuFull Text:PDF
GTID:2255330401990309Subject:Chinese Philology
Abstract/Summary:PDF Full Text Request
Chiung Yao, contemporary romance novels women writers, popular romancenovels she was referred to as "encyclopedia of love", praise, and love is the eternaltheme of Qiong Yao’s works. In her novel, depicting a different era, different class,come in all different aspects of life in the age of the State of love, however, the heroof their faithful love plot between lovers in that promise is no change to the theme oflife and death. This article focuses on the perspective of Linguistics, of the sunsetseveral times, for example, layer-by-layer depth of his work, on the language featuresof his works, these remarks character and the overall systemic analysis of the style ofthe language, explored the works of her novels feature analysis of its language style.Introductory part focuses on analysis of the works and introduction of Qiong Yao’snovels of the sunset, work study, sources of corpora, as well as the research andwriting. Voice features, mainly from the works of part II study on lexical features,syntactic features extended to works of language features. On the speech, she usedkissin ’ cousin, reduplicated, non-kissin ’ cousin, onomatopoeia, and transliteration offoreign words, reflecting the musical beauty of Qiong Yao’s novels language. By thedouble-syllable words, words accurately applied, shows her chains try to find theexact word the word Foundation. From the combination of long phrases, whole,sentence combining, combination between active sentences and passive sentences,reflecting the language in Qiong Yao’s novels tranquillity, flexible, coherent and clearlanguage features. Third part of the metaphor, reflecting heavy use to analyze herworks, exaggerated diction () character. Works from a feminist perspective, look forvehicles from familiar to everyday life, to King line emotion, using the surroundingenvironment in and around against the fictional State of things, living things, small,modest exaggeration of the mannerisms, to render the lovely, weeping, the comicscene, she boasts. Part IV is to start from the overall style of language, languagefanfeng primarily from her work detail, solemn and cultured, implied terms ofclearness and to analyze her work style.
Keywords/Search Tags:Chiung Yao, language features, diction features, Performancestyles
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