The Simple Analysis Of Development And Characteristic Of Lyric Baritone Sings Opera

By400years development, opera has became a kind of matural art form. As the different of physiological conditions, it constructs different type of sound audio. To devide into different sound of lyric baritone, which is generity of recognization of difference of lyric baritone. The difference is not only more scientifical, but also it is a more important factor of traditional art appreciation of the beauty. If the creation of creteria of traditional art form has been overtaken, which is meant to destroy art form. The dramatically development of opera, which leads the appearance of different personality chacrateristic singers on the stage. Furthermore, the best music form is based on that different sound will perfom the different drama. The thesis will analyze and research the lyric baritone out of baritone individually, then will compare the two roles which are Papaqeno in Mozart’s Magic Flute and Figaro in G. Rossini The Barber of Seville. By deeply analysis of sing charateristics and sing skill of lyric baritone in opera; and analysis of annotation of actor or actress played; as well as the analysis of the difference between lyric baritone and baritone. Lastly, to research the potential of skill of sound, meanwhile, the sound of humanbeing will go to infinite gradually.