| As we all know, Mozart’s "comic opera" is a treasure trove of Western opera dazzling pearl. The baritone, but also has an important part type and weight status in Mozart’s "comic opera" in. How can better interpret these baritone roles, is lingering in the mind as an opera singer key issues and difficult problems. Therefore, this paper combined with the author’s own interpretation of Mozart’s "comic opera" baritone roles of some of the experiences and ideas, choose "comic opera," "The Marriage of Figaro" in two Figaro aria aria- "Do you want to dancing, my little Earl ", " you do not do it again lover " and " woman’s heart " in Guglielmo aria aria " Do Tweaking " on the basis of the analysis was creative techniques and the effect on performance, it is Mozart’s " comic opera " baritone roles in the second creation of ideas, learning methods and singing style has made interpretation and generalization, to the adoption of its own analysis, interpretation of Mozart’s colleagues " comic opera " The baritone roles have some thinking value The methods and ideas, and initiate industry colleagues urge vocal criticism and correction.This paper is divided into five parts. The first part is an introduction, the necessary information to illustrate the topics of research purpose, significance, research status, research ideas, content and innovation, such as heavy and difficult; the second part describes the concept of "comic opera" and describes Content episode "The Marriage of Figaro" and "woman’s heart" of these two operas; the third section, select "Do you want to dance, My little Earl", "you do not do it again lover," "Do Not Tweaking" This three arias of Mozart’s creative techniques was expanded interpretation and analysis; the fourth, then the third part is based on the interpretation of the second degree of creative thinking and learning methods Mozart "comic opera" when summarize and generalize; The fifth part is the conclusion, a general summary of the full text. |
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