The Study On The Local Techniques In The Art Of Erhu Fiddle

The art of Erhu playing is a very important part of our national instrumental music, it is a fusion of Chinese traditional music culture and the modern aesthetic of instrumental performance art. Since the great musician Liu Tianhua since the beginning of the bold innovation of Erhu playing techniques, through the joint efforts of several generations of Erhu performer, educationist and composer, the art of erhu play has a big change change rapidly. With the domestic and foreign music culture exchange, erhu performance and creation, also in step with the trend of the times. This article mainly from the representative opera Qinqiang Banhu, Jiangnan erhu, Banhu, Guangdong Gaohu, Jinghu and Zhuihu six unique Han Chinese violin playing techniques to start, to explore the unique characteristics of local Chinese violin playing techniques plays an important role in the art of Erhu performance, thereby improving the erhu learners and knowledge of traditional and modern the.From the overall development of the art of Erhu performance to talk about one of the local Chinese violin techniques, in today’s society is very valuable. Local Hu Qin art with its unique style and playing techniques enrich erhu playing, local development in Hu Qin and erhu also complement each other, mutual promotion, to a certain extent to the local Hu Qin playing techniques play a positive role in the development of Hu Qin improvement, development and local erhu is go hand in hand, the art of Erhu playing local Hu Qin technique is to explore the basic techniques and application techniques in addition, but also in the inheritance and protection of ethnic bow string techniques we.