Research On The Creation Of Yang Liqing's Three Huqin Concertos

This article takes Yang Li Qing's three Huqin concertos " Elegy","Introduction,Chant and Allegro",and "Desert at Dusk" as research objects,from the perspective of music text analysis and composition techniques,composition technology theory,etc.,and organizes the works from pitch,Timbre,sound,creative techniques,etc.Explore the personal style and creative characteristics of the Huqin Concerto.Explore the composer's human emotions and creative concepts devoted to the work and analyze the significance of the work for the development of Huqin musical instruments and contemporary Chinese music creation.This thesis consists of three parts: introduction,main text,and conclusion.The introduction mainly introduces the significance of this topic,research methods,and research status of the three works at home and abroad,the brief introduction of composer Yang Li Qing,and three Huqin works.Introduction.The main body part includes five chapters.The first chapter is an analysis of the music structure of three Huqin works.The work is sorted out from the overall tune structure.The purpose is to analyze the combination of Chinese and Western musical structures used in the work.To the local research method,to lay the foundation for subsequent analysis.The second chapter analyzes the source of the music material of the work and the penetration and development of the theme material.The third chapter analyzes and sorts out the polyphony techniques used in the works from the four aspects of polyphony,contrast polyphony,imitation polyphony,and rhythm polyphony.Chapter 4 analyzes the timbre,sound and orchestration of the work from the perspective of orchestral techniques.The fifth chapter summarizes the creation characteristics of Yang Li Qing's Huqin Concerto,and then explains the significance of the creation of Huqin Concerto and its enlightenment to contemporary Chinese music creation.The conclusion part summarizes the relevant research results of this thesis and looks forward to the future development of Hu Qin in contemporary Chinese music creation.The concluding part summarizes the relevant research results of this paper,and prospects Hu Qin's future development in contemporary Chinese music creation.The topic of this thesis is to further improve the theoretical research on Yang Li Qing's Huqin Concerto from different angles;And the significance of the development of contemporary Chinese music creation;the third is to provide theoretical reference and reference for studying contemporary Huqin concerto.