Narrative Strategy Of The Contemporary Film Adaptation

Film and Television Art Since its inception, is closely linked with the literary narrative connection between the bridge and link. Film and television arts from the novel where a wealth of material, also received a variety of forms. Can be said that the TV drama constantly enrich development is inseparable from the literary works of reference and adaptation. In the film adaptation of the process necessarily involves the problem of narrative strategies. Literary text into the the film text narrative shift in strategy, not only on the art forms and media change also reflects the large cultural trends for text. Study of China’s contemporary film adaptation, it should start from China’s social and cultural background. Cultural transformation of Chinese society, represented by the rise of popular culture, the situation of the coexistence of a variety of cultural forms.Stephan Zweig’s novel " Letter from an Unknown Woman," known for its delicate psychological narrative, convert audio-visual arts from a psychological novel, narrative strategies conversion of which there must be worthy of study and research significance.In this paper in Xu Jinglei version of the movie " Letter from an Unknown Woman " adaptation of narrative strategies, for example, based on the narrative shift small when it comes to movies, and then analyzes the transformation of the cultural connotations behind. The main part is divided into four chapters:The first chapter discusses the narrative sight "novel" and "movie", narratology and film narratology background and theoretical combing interpretation narratology and film narratology source stream close relationship building text text conversion into the bridge of the film text. The second chapter first analyzes the film adaptation of the history and the status quo and the theory of focus, and Zweig’s novel " Letter from an Unknown Woman ", for example, expand the narrative strategy of the film adaptation; Chapter narrative angle strategy, narrative structure, strategy, strategy of narrative means three specific analysis. A narrative point of view, the person and the viewpoint of the film text text text, the film is more conducive to the audience’s understanding and acceptance, and different angles may have an impact on film style to text text; narrative structure, plot, the characters and the space-time of change or alteration of a story full of conflict and tension in the the film limited time performance, but there may be over-interpretation of the phenomenon of lost emotion of the original and refined; narrative means, the use of the advantage of the film the language of the text text into light and shadow, color, music, showing different from the original aesthetic mood with fun. Chapter childhood when it comes to drama narrative shift in strategy, analysis of the transformation of the cultural connotations behind. Adapted from the original differences, not just different narrative media, but rather should focus on the historical background of the popular culture, the performance of the deep-seated economic and cultural clash again in the new context. Strong consumer culture has contributed to the implementation of adaptation, making cross-media dialogue with the commercial taste.