A Musical Actor Should Improve Ability Of Adapt To The Role Of Market Demand

The thesis is discussing that in domestic market of musical, as musical performers, what we could do to improve performance skills, what kind of challenge and new tasks we need to face to, and how we balance the relationship among musical script, music itself, dance performance and stage design so that our professional quality of musical performance could be maximally brought into play. According to my personal performance and composing experiences, which obtained by participating in many domestic and foreign musicals, in the thesis, I will blend the information I have owned with some successful cases of Broadway to analyze the problems with that domestically musical musicians usually come into contact in present. The problems include but not limit to the ones that often appear during the process of education and composition. Furthermore, the thesis is also going to contain the content of theoretically criticizing the musicians whose personal quality, professional skill and self-courage are not sophisticated enough. The thesis is realistically and reasonably discussing all the points mentioned above, and it is surpassing the familiar articles that are introductive, demotic or sciential. By doing this, the way that how to correct the notional mistakes which a lot of musical musicians usually get in present will be logically represented. Meanwhile, the goal of exploiting the methodology of enriching musical education also could be achieved. The academic function of the thesis is helping musical musicians to break the bottleneck of currently artistic creation so that their professional ability would be more adaptable to dog-eat-dog market today.