On The Generation Of Comic Of Satire In1940s

Satire is a particular important one in Chinese modern literature, especially in1940s. The comic in them are conspicuous and cannot be ignored. This paper selected the important part of the40’s satire (satire novels and comedy) as the object of study, to find and summarize the basic rule of the creation of comedy. All related articles at that time are involved, not limited to theme, author and geographical division.First, we can conclude that the authors often build a comedy character shaping aspects. The comic to convey through these aspects of characters:characters’appearances and physical phenomenon, speeches and actions, characters and so on. These aspects from the basic appearance to the inside, depth to depth, cannot deviate from a word "ugly", a disharmony. The appearances of ugly, speeches and behaviors inconsistent, a stubborn or impermanence character, lead to a generation of a great deal of intuitive comic.If we do not rigidly to adhere to some specific comic factors, but from the overall focus of the novel, we can get how the structure and context convey the comic. The writers of this period were not satisfied with a shallow comic, but focus on a more advanced one. They focused on the relationship between the person and environment, the person and person, the person and thing. First from the perspective of sex to illustrate. Then analyze the comedy confliction, including misunderstanding setting, tricks and lies, meet by chance or disappoint and "dog eat dog". Comic situation and structure, are not easy to find for readers. Thus leaving the reader aftertaste, so authors prefer to take this to convey the comic.Excluded the concrete context, we can focus on the writer’s use of language in his works. To make people laugh is not only reflected in the words of characters in one work, but also reflected in the narrative language in the text. It is a humorous, wise performance of a writer. According to the analysis of language, we can find synonymy and joking translation, contrast and similarity, exaggeration, metaphor and paradox are common to use. The connection and change in language also leading to strong comic, are used by author generally. Through the study of this article, we can see that comic art is extensive and profound. Comic literary sense of comedy generation though according to the writer’s personality, habits, knowledge situation, but overall still exist certain phase connectivity, and the similarity to some extent, can saying is very large. This comic literature helps us to know the basic rule of this kind of literature. Also, it does well to the creation work of the contemporary writers.