A Study On Time-travel’s Film And Teleplay

The end of19th century, with the proposing of the "time travel" in Natural science,the word "through" is trigger controversy in the complicated society. All kinds of artistsbegin to create, they don’t consider the feasibility of "time-travel", has fiction a lot ofTime-travel’s art works from the emotional artistic features. So it is beyond the logic ofthe scientific community."Time-Travel" as a story element exists in all kinds of art categories, exerts a covertaxiing definition:"time-travel" art, is included in the content across time and spacebehavior or events. In the Time-travel’s Films and Teleplays, all the reason of "time-travel " comes from the strength of nature and super human. From the nature of theimages system theory, its characteristics of narrative elements can explained as thenarrative mechanism of deified image system. But, Time-Travel’s films and teleplaysare only a small part of the deified images system, not all the deification of imagingsystem is “through”time and space when it is in narrative."Time-Travel" as visual arts, it is inherit the artistic features of the post-modernismspirits, whether the creation process or the experience of audience’s psychology. And,in narrative character, Time-Travel’s films and teleplays were affected by deconstructionobviously. But inside the image system, not all things can be deconstructed.Deconstruction is only opposite to narrative system and environmental mechanism. Theselect respondents must accord with the condition of deconstruction when art making.While, from the attribute of Audio-Visual Language of view, Time-Travel’s films andteleplays still have the light and shadow of restated mode and camera lens of disorderthat like the post-modernism image. And artistic style use the post-modernism methodto clear up and subvert the traditional classics as well.The cultural connotation of Time-Travel’s films and teleplays have two sides. Inorder to development better from the perspective of industry, the author use a socialsurvey to explores the social representations of Time-Travel’s films and teleplays. Theresults show that exist limitation in such aspects as creation. With the exploring ofcreation principle, the author tries to make the Time-Travel’s films and teleplays thatown more space to development in the art industry.