In The 90 S, Case Study Of Shanghai Urban Documentary Photographers

The image is created through imitation and imagination of humannature, is distinguished from the performance of the traditional text.Primitive man in the text does not appear before the prehistoric era,had already started making images and has continued ever since, untilthis taking visual image as the center, a variety of visual forms of mediainteraction of confluence of the image era. Documentary photographyas a main means of visual communication, is not only a basic part ofthe photographic language, is a core concept in photographicresearch.This paper attempts to learn from the history of photography andphotographic theory about documentary photography research results,combined with sociology, Metropolitan Culture and science researchmethod, to90s Shanghai Metropolis documentary photography in themost representative three Metropolis documentary photographer worksas the main case, analyzes their unique photographic language onShanghai Metropolis documentary photography space specificperformance, in which Lu yuanmin is more through their own angle ofview to observe that in his side, touch your own image, and through thecamera to freeze this moment. His works fully reflect their personalperspective, those who ignored the most vivid Shanghai citizens lifescene. While the Yong he photographic language because thephotographer s identity, always walk in the documentary photographyand photojournalism, his sharp photographic language is sometimesentities, and metaphor. He used the most essential image to record withthe international metropolis Shanghai, the pace of development.Another representative of the documentary photographer Zhou ming,he used his surreal photography language, based on photographic art and humanities dual attribute combination, from its unique perspectiveof deadpan records of Shanghai s urban change. From the threedocumentary photographer works that present the image space, wecan see not only the story from different places, and the image spacecan see different characters inner state. Their works through theShanghai Metropolis image space and living in Shanghai MetropolisPeoples true record, to embody the essence of documentaryphotography and urban life in the international metropolis Shanghai,the plight of characters in the various links.The conclusion of the article is: Lu yuanmin, Yong he, Zhou ming thethree most representative in Shanghai in the90metropolis ofdocumentary photographers, in their own unique perspective for ourshow360degrees Shanghai Metropolis documentary photographyimage space, is the China photography towards the nature ofphotography development important milepost. Their ShanghaiMetropolis documentary photography to break the traditional urbandocumentary photography bound, is the" real" redefined, theirpersonalized urban documentary photography of space exploration inChina the history of photography has certain dissemination significanceand the value of.