Since The 1980 S, The Evolvement Of Chinese Movie's Enlightenment Discourse

In the twentieth century many cultural background in, the mainstream is undoubtedly ""enlightenment". Since the80s movie culture is experiencing a new transformation, especially in the initial position words above, few of "the fifth generation" and "the sixth generation" field for culture, especially in enlightenment on the level of discourse rheology, understanding and pay attention to the subtle change, mostly ignored to the enlightenment to "the fifth generation" cultural change with the culture of "the sixth generation" of care, and ignore"the new enlightenment" to the enlightenment, the modernity to post-modernity, at the same time, no" back to harmony" to the context of the above changes. Based on this, the" fifth and sixth generation" of the construction of culture become the castles in the air, not the settlement.At the same time, the enlightenment of the whole national discourse is a microcosm of the history and soul, but in the80s but was slowly forgotten and abandoned especially in movie what quite, academic circles to the cultural transformation in the film especially in enlightenment in the field of words flow lack of necessary discusses and thinking, but more limited in the film external landscape and the explanation of the above criticism. This had to cause concern and reflection.In view of this, this article writing and trying to "back to melt" the era of cultural change above context, in the attempt to "new enlightenment" and "post—enlightenment" present for the different characteristics of the historical background, with "civil society"discourse as an opportunity, and enlightenment from the attitude, ideology,"iron house","ruins" and so on the different fields, draw the outline of China film fifth generation and the fifth generation of words after enlightenment.Finally, in a sense, the1980s of China film enlightenment discourse of Chinese movie not only present circulation cultural zeitgeist a mirror, and the Chinese thought of intellectuals differentiation and conversion in vivid reflection, but also China’s structure of a local representation of circulation. This may understand the "generation fifth" and "generation sixth" between "rupture" and present a different discourse expression form, also or to understand the cultural characteristics of the "generation sixth" movie offers a new "critical weapon".