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As A Cultural Resources

Posted on:2013-03-12Degree:MasterType:Thesis
Country:ChinaCandidate:X Y DuFull Text:PDF
GTID:2245330371992365Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This article mainly discusses the painting as an application of cultural resources in the art ofthe film. Resources are the basis for human survival. Humans not only have material existence,and spiritual survival. Cultural resources is necessary for the survival of the human spirit.Culture is the survival of the human spirit for cultural resources refers to all cultural and spirituallinks to spiritual element, refers to people engaged in cultural activities of various resources thatcan be used by the sum, is the spirit of survival and development of mankind’s most valuableasset. Interactions between these cultural resources, thus promoting the production of spirit. Thefilm as a general category of art, drama, literature, a collection of modern art forms such aspainting, music, is a model of full use of cultural resources. Common expressions based on theVisual beauty of the screen, the film lessons for painting from the beginning up to now has beenimportant, especially of painting as Western paintings of important and representative form,because of its realistic characteristics, rich effects and unique aesthetic expression, is a filmreference and extensive application.This paper consists of three parts elaborated. Part I from the meaning of cultural resources,cultural resources characteristics and exploitation of cultural resources of the three explore thecharacteristics of cultural resources. Part II on the feasibility of oil painting as a cultural resource,by Combs during the development of oil painting and each representative’s painting style andperformance, exploring oil painting has a specific function as a cultural resource. Part IIIdiscusses film art oil painting as a full application of the resource, first outlines the application ofoil painting as a cultural resource in the film; And then to film the Bali·lindeng for the detailedanalysis of the concrete application of oil painting in this movie, Especially the movie18,19thcentury United Kingdom landscape and figure painting, proceeding from the art of oil painting asa resource, to light, color, composition, respectively the three elements discussed application ofoil painting in the film; Finally on this innovation in the use of oil resources in the film putforward some views.
Keywords/Search Tags:cultural resources, Oil painting, Film, 《Barry· Lyndon》
PDF Full Text Request
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