Pierre Bonnard is one representative of the Les Nabis of French in the very late nineteenthand early twentieth century. With the influence of the Post Impressionism and Japanese Ukiyo-e.He don’t express the reality aimlessly, but his emotions of nature in his paintings. His works hasoutstripped visual perception in the real world. Graphic design, decorative style, light andshadow, colors and flexible brush constitute the painting composition that delivers his innerfeelings, reality life and the definition of art. The thesis emphasizes on the analysis of Bonnard’sworks that formal language and spiritual connotations dissected via his painting style and ideaaffect the future of Chinese painting to found our own art road. |