Narrative Research On Female Writers After70S Of New Century

Post70’s female writers’novel is a unique literary image from the end of the twentieth century to the beginning of the new century. Their controversial stance of writing and literature performance are presented to the history of Chinese contemporary literature as a whole formation, developing changes and predictable future tendencies. Since Post70’s female writers entered in the literary circle, media criticism and academic criticism has never stopped tracking and studying them. The research results have been expanded and deepened in cultural studies, literary history identification, the text research and other research fields, but they can still exist in narrative study. According to Post70’s female writers’novel writing in new century and on the foundation of narrative study, this paper mainly does a narrative research from growth of the narrative contrail and the transition among narrative subjects, objects as well transformation of form and investigates their narrative changes’ significance on the development of female literature in the new century. This thesis is divided into three parts:The first part mainly combs Post70’s female writers’development in narrative trajectory and makes sure of the reason and background of Post70’s female writers’ narrative transformation the new century through identifying the Post70’s female writers as research object, combing their growth trajectory. It is a sharing carnival both for literature and market media that Post70’s female writers before the new century came on stage as a group before the new century just like trying to help the shoots grow by pulling them upward as well as themes going first. Media criticism made them get gather and also hyped and covered their literary style so that Post70’s women writers were faced with lots of difficulties in narration at the end of the century. After the new century, out of post70’s female writers’internal self-examination, external culture pressure and college’s good remedy and other various reasons, post70’s female writer’s narrative has possibilities to change.The second part’s main idea is Post70’s female writers’narrative transformation after new century. Based on the theory of narratology, their narrative feature and transformation are combed and summarized from narrative objects, narrative subjects, as well narrative forms and so on. At first, they removed “grotesque” and “vanguard” from the presence of narrative objectives and stepped out the restrictions in women world. Besides, they turned their eyes to other worlds, such as modern reflection on city civilization, indirect expression on home village and new explanation on men and women’s relation. What’s more, they show a new narrative subject style and degraded subject’s attitude which is blazed so greatly to near depravation, and subjects’moral power was actively formed so that they found novelists’responsibility. With this directive power, they begin to cast their eyes on and talk about the daily life, but also from time to time they remove subjects’sexuality identification for need of narration. In addition, they dispose narrative subjects’function formation flexibly. The changes of subject and object bring some changes on narrative literary form, which mainly lie in narrative view, narrative structure, narrative function and so on.The third part mainly elaborates the significance and Enlightenment of Post70’s writers’narrative shift to the development of female literature in the new century. To certain significance, the novelists are conscious of choosing narrative subject, narrative object, and narrative shape. Although the new century Post70’s female writers’narrative transformation results in some controversial success and failure on the examination of criteria, this paper thinks it is more reasonable to examine it from the view of women’s literature. Thus, Post70’s female group writers’narrative transformation is not perfect, but as the value standard of reconstructing female literature in the new century, it provides certain directive significance for helping developing female literature with "flying" narrative attitude.