An Analysis Of Split And Recombination From Two Versions Of Orchestral Pictures At An Exhibition

Orchestration is taken as a writing way and method of creating orchestral instrumentsensemble. Even though the definition seems to be simple, it contains the precise logic andabundant models of combination. At present, the majority of known resources mainly introducethe combination effects, the balance of voice, instrumentation, performing characteristics, etc. inthe orchestral writings. So far, the author has hardly found out bibliographies that introduce howto transfer some musical prototypes into orchestral works, as well as the relatively deep researchon the tiny techniques in terms of orchestration. However, such creation form and technique willbe presented by distinctive works, so it is pretty hard to summarize by means of words.Nevertheless, just these intractable issues have become the important cornerstone in the writing oforchestral music. Based on these conditions, regardless of numerous obstructions, the author stillintends to make a relatively comprehensive exploration of those two aspects, and furthermore,spare no effort to sum up the common thoughts in the process of creation. The author hopes tomake a humble contribution to orchestration.The main research topic of this article is: taking some piano scores as the prototype material,making it a vital technical way in the process of creating orchestral works, that is split andrecombination, which will be illustrated specially through examples. It is believed to be a bold butavailable attempt, because successful split and recombination is the basis and even the logic in thecreation of a piece of orchestral work as well as an unavoidable and significant technical segmentexisted in every stage of creation.