The Literary Expression On Amorous Stories

During the late Ming Dynasty, with the wide-spread of the Chuanqi Novels of Midding Length and the prosperous creation of the Amorous Chuanqi Opera, it was well known that the coincident story about the gifted scholars and the beautiful ladies were widely accepted in the society. Through the space-time dimension of narrative analysis of the Chuanqi Novels of Midding Length and the Amorous Chuanqi Opera, this text will catch the literary expression of the gifted scholars and the beautiful ladies’coincident stories, find the reveal culture and personality information in the analysis of narrative operation and narrative meaning.In terms of the time narrative of the Chuanqi Novels of Midding Length and the Amorous Chuanqi Opera, this text will start the discussion about narrative operation mainly from the "Life-time" and "Year-time". The Chuanqi Novels of Midding Length and the Amorous Chuanqi Opera were filled with the creative consciousness of "mandate of heaven" and "chance of person", through the will of heaven and the hardworking of human to accomplish the coincident stories. As the time structure of the text, the Chuanqi Novels of Midding Length and the Amorous Chuanqi Opera formed their own characteristics, the fleeting yaer time as the whole frame and the four seasons as internal paragraphs, but there were still some different characteristics between the whole structure.In terms of the space narrative of the Chuanqi Novels of Midding Length and the Amorous Chuanqi Opera, this text will start the discussion about narrative operation mainly from the structure of the text and the art space of the text. This text will take "war" theme to discuss the narrative plate, and take the case of novel and opera to analyses the scene unit. The art space of the text is divided into two sessions, home furnishing space using "Hall" and "Bedroom" as an example, and the distinctive travel types using "Ship" and "Water" as an example.With the theme positioning of the gifted scholars and the beautiful ladies’ coincident stories, the Chuanqi Novels of Midding Length of the Yuan and Ming Dynasty and the Amorous Chuanqi Opera of the late Ming Dynasty focused closely on this theme to operate the narrative. Although all this was destiny, the narrative still sought novelty. Authors’ different pursuits of the adventure formed different version of the coincident stories. The essence of the adventure was to manufacture various barriers and sufferings in time and space dimensions, and as long as the gifted scholars and the beautiful ladies experience such tortures and miseries can they find true love, get happy ending.