Yun Shouping’s Mogu Flower Art Style And It’s Influence On The Mogu Flower-bird Painting Of Contemporary

Yun shouping（1633-1690），the early name is Ge,word Shouping,the later with words,to change the word is Zhengshu. South Tian,alias OuXiangsanren、 Heng Shanqiao、 Dong Yuanke、 Yun Xiwaishi、 BaiYunwaishi.Wujin (also called Piling,now in Changzhou) people.Shouping is a famous painter of the early Qing Dynasty, he is proficientin both landscape and flowers, early Qing painting,"six" one. Shoupingyielded fruitful results not only painting, his painting theory is veryprofound, in the treatment of tradition and innovation, he proposed notonly to imitate the ancients, but also learning from nature, and thus to themind as the end-result.Shouping learning of the ancients, but not bebound by the ancients, he advocated a "good old days, the elution thefurrow diameter" style of painting, the painting also practice this idea.Literati painting was reimbursing the pursuit bore a striking resemblanceto despise realism’s tendency Shouping painting to be emphasis onsketching to mimicking and not like ", painting techniques, he alsostressed that the ink of training, he thinks Chinese painting" pen in thepen ink ink "outside the realm of mastery of pen and ink techniques to achieve, against the kind of ignored artistic skills and talk about the badstyle of painting outside of meaning.Shouping painting theory is quite innovative in how inherited thepainting tradition and innovation, the far-reaching impact on futuregenerations. His landscapes and flower paintings sui generis, high artisticachievement. Shouping created the imitation the Northern Song. XuChongsi "mogu Flowers" painting is a valuable attempt to combine theadvantages of the academy painting in the Song and Yuan freehandpainting. His "mogu flowers "painting the Qing Dynasty and Modernflower paintings open up a new road, he also became the founder of theChangzhou School of Painting".Shouping mogu painting as the main line,never the source of bone painting from the road along the historicaldevelopment of the pulse, to explore the impact of various factors on theformation of "Yun’s" mogu floral style analysis playpainting of originalityachievements, mainly art characteristics, historical status and the impacton future generations, and to analyze the current situation of the development of contemporary mogu. Flowers and Birds development inthe present today, to grasp the rhythm of the art of the era, and to enhancetheir own repair mastered the aesthetic is no bone painting times optimalfusion.