| The late Ming Dynasty political corrupt, partisanship as one falls, was a changing era. Jiaxing’s Li Rihua was a leisurely scholar who was generated in the uncertain times. All his life he also was hidden, more time to enjoy the world of the paintings and reading books, in the pursuit of individual self leisure. Li Rihua’s poetry has made some features and achievements, although the study of his poetry has not been, and the senior of the profession also has not given his poems a reasonable position, we cannot deny his poetic theories and characteristic values. In this paper, from Li Rihua’s poetry theories, focuses on the content of Li Rihua’s poems and the essays’ color, and discusses Li Rihua’s poetry achievements on the basis of these studies.This paper is divided into four parts:the introduction of the simple topics of this article discusses the significance of the main study of Li Rihua’s writings described the current situation. The main part consists of three chapters:the first chapter discusses Li Rihua’s image in the poetry, the author tries to describe the object in the poetry of Li Rihua (the natural landscape, the affairs of the country and the straitened circumstances of the people, the state official and hidden),and interpret the emotions deeply (leisurely, concern for the fate, contradiction), the identity of the three reveals the anchore, the concern of the country and the care of the people, the official and hidden in the choice of his image as the previous research, not just a single tranquil recluse image, thus, give a new interpretation of the image of Li Rihua’s poems. The second chapter discusses Li Rihua’s poetry theory, mainly from "the flat plain is important to the poetry feelings ","the wonderful word of the poetry "," yellow leaves, is the most abundant artistic conception in the poems","the view of the relationship between the poetry and paintings" and so on. The third chapter explains the essays’color of Li Rihua’s poetry, mainly analyzes the essays’characteristics of his poetry in the use of language, theme and aesthetic taste. The conclusion summarizes the literature history position of Li Rihua in late Ming, including the important contribution of his poems, essays and paintings ideas of late Ming literature. Appendix includes Li Rihua’s profile, the writings and paintings of a junior scholar, makes a brief introduction of his life experience, on the other hand, arranging his painting’s theory and works for making people have a deeper understanding. |