On The "Open Throat" Effect In Singing

"Open throat" has been a common concern of many experts andscholars in the field of vocal music subject, open the throat is animportant link in vocal music training, is my mentor to highlight the mostoften in the teaching of vocal music teaching, many have their own "one’sspecial skill" in the classroom, teachers emphasize key points of each arenot all the same, but we will find that even in stressed that "open throat"of the status of teachers, they stressed that the content is not exactly thesame, that is "open throat" why not the same state, which requires us toexplore together, which have the same or different, we want to knowwhen the same when different, when to open when not to open, even ifthe master of the "open throat" is not a panacea, must master the use of.The singer can correct the open throat directly affects the voice tone,position, power, resonance, articulation, expression of emotion, affect theability to obtain scientific voice and sing life length of a lot of problems.But how to obtain the "open throat" of the state is a lot of singers confusion, so in this paper, through the research on the theory andpractice of "open throat", explains how to learn "open throat","openthroat" were summarized, with position and far-reaching significance forthe comprehensive promotion of singing ability. More students becomethe research and exploration and important task to be solved in theinstitutions of higher learning in the.The author after the bachelor’s degree to seven years follow theteacher learning graduate, combined with the experience and practiceteaching of "open throat" of this technique are analyzed, hoping toprovide help for readers.This paper is divided into four parts, the first part is introduction, doa probably elaborated and explain its importance to "open throat", thisstudy leads to the purpose.The first chapter through the throat structure and other theories aboutthat "correct conception and significance in throat.". To help the readerunderstand the throat to establish correct structure and understand theimportance of "open throat" for the future of the art path. The second chapter of my learning and experience, and according tothe summarized some practical help "open throat", at the same time,specific analysis of the many benefits of master "open throat" of the statewill be. This chapter is the most I expressed most research chapter,sincerely hope that can help everyone.The third chapter through a simple analysis of bel canto, nationality,three popular singing, difference analysis of them exist in the works,including differences, region, language and so on, at the same time, morevivid description even if many different but "open throat" is available inthree kinds of singing flexibly apply the singer more perfect show works.