Yan Yu Of Seven Sub Poetics Influence

Yan Yu’s" Canglang poetry" is the most valuable part of the poetry book, on thelater poetry, especially before and after the Ming Dynasty seven poetry producedfar-reaching effect. This article from the Yan Yu and before and after the MingDynasty seven focus on both said major poetic perspective" Canglang poetry", discernand seven are closely linked. The article thinks," imitate the ancients" is Yan Yu andbefore and after the Ming Dynasty seven associated thought foundation, retro campYan Yu inherited from the poetry of emotional characteristics, aesthetic characteristics,form factors on ideas, and on this basis to continue to deepen and expand, forming adistinctive poetic conception, and then to the Qing Dynasty" charm"," style"," artisticconception" in the theory of development to do a very good theoretical basis.The full text is divided into six parts:1Introduction;2Yan Yu retro thought ofseven;3Yan Yu poetry romantic view of seven children;4Yan Yu poetry essenceview of seven children;5poems of Yan Yu law view on before and after the seven subeffects6conclusion.The introduction part mainly explain the article the main research contents andcurrent research situation at home and abroad and the research meaning, researchmethod, convenient and clear task emphases and research value.The first chapter focuses on the analysis of before and after the Ming Dynastyseven respected Han Tang poetry of Yan Yu thought. Yan Yu and the people of MingDynasty. Although there are different historical environment and the background ofthe era, but both claim to antiquity, mainly Han Tang poems as the object of study, byemphasizing the artistic characteristic of poem, calling the aesthetic ideal.The second chapter analysis in poetry sentimental nature view before and afterseven to the views of Yan Yu ’s inheritance and development. Focuses on the analysisof Xu Zhenqing’s love for Kriging theory and Xie Zhen’s theory of emotions.The third chapter discusses the Ming Dynasty seven to Yan Yu on emphasizingqualities thought to deepen. Focus on" interest" and" Miaowu" two aspects on YanYu’s poetics view on the effect of before and after the seven sub. Focuses on Li Mengyang, Wang Shizhen, Xie Zhen a few of Yan Yu" interest " of the concept ofinheritance and development.The fourth chapter is Xie Zhen and Wang Shizhen’s style of Yan Yu" Gree" ondriving. After seven the marking "style" is derived from Yan Yu in" Poetry School" inthe system, Gree, syllable, advocate, and on the basis of Yan Yu will continue toimprove its development.The part of the article referred to the " retro"," interest"," poetry " and other pointof view a summary summary.