Time-Travel TV Series Research In China

In recent years, The myth,GongSuo XinYu（also called the Goog）,Startlingstep by step TV series has very high ratings After the premiere. These TV seriesthrough time and space is for background on the plot. This paper is mainly toresearch and exploration these time-travel TV series in China and Xun QinJi,Chuan Yue Shi Kong De Ai Lian,which is broadcasted many years ago.Time-travel TV series is only recently emerging as a new opera. At present inthe academic field just paid attention. In time-travel TV series,through just form,this form, become the narrative clue, contact with a variety of scenarios.At present,the research of time-travel TV series in domestic is only to asurface,is mainly in the newspaper comments,the lack of deep research,only in aspecific on works by the facile level,is to argument good or bad,is general andone-sided,is lacked of guidance and lead in theory,This will adversely affect in thelong-term for time-travel TV series development. Make time-travel TV series as anew type plays to system research does not see more. The development of Chinesetime-travel TV series has just started,has the very big development space andresearch space. The current time-travel TV series in the shaping of the charactersand scenes manufacture is relatively successful.Time-travel TV series with imagination for the mass wove a dream,the dreamof fusion theme,with a variety of novel and with novelty to promote the plotdevelopment. The growth of time-travel TV series in need to attract morevisitors,meanwhile,because of content superficial,entertainment history by reason ofcriticism. Postmodernism think,TV culture is a kind of depth resolution postmodernculture. TV manufacturers in the pursuit of economic efficiency,and make create intothe art of TV series mechanical reproduction,lack of creativity,which makestime-travel TV series in innovation in a standoff.This paper introduction includes two parts of the content: time-travel TV series ’name and the background of appear. This article consists of three chapters of narrative.The first chapter in time-travel TV series from popular social factors,works factors and market factors in Traversing drama popular reason analysis. The second chapterfrom consumption culture and entertainment culture tell about time-travel TV seriesthat embodies the postmodern culture connotation. The third chapter will tell aboutthe limitations of this Chinese time-travel TV series, from abroad the comparison ofthe mold,time-travel TV series characteristics and values on three aspects.The final conclusion will from the creation theme,cultural connotation andbreakthrough of the mode to analysis the development direction of time-travel TVseries.