The Aesthetic Study About "Time-travel" In China

In recent years, TV series involving "time-travel content" continues to enter the vision of the audience and sweeps the television screen in contemporary China with a unstoppable trend, for a period of time, micro-blog, tieba, and forum were discussing and reviewing "time-travel TV series" everywhere, there are also endless debates from scholars.In face of this newly emerging product--"time-travel TV series" in China, So far, there are no systematical and comprehensive exploration about it from domestic scholars, many scholars only see the prosperous situation of the "time-travel TV series" in China, but there are no exploration for the system reason of its popularity, and the review about domestic "time-travel TV series" made in China is not objective and comprehensive, especially it is lack of a dialectical analysis about relevant theoretical debate.To this end, the paper starts with the reception aesthetics, combines with the status and characteristics of the "time-travel TV series" made in China and strives to explore the main reason for the rise of "time-travel TV series"; then focuses on the details from aesthetics reception, aesthetic characteristics and other aspects of the "time-travel TV series" made in China, by this the end, tracing to the source, carefully study the aesthetic thinking and social significance of the "time-travel TV series"; in the meantime, aiming at the new contradictions arose from the attitude of wait-and-see or even opposing from most of the academics towards "time-travel TV series" in China, as well as attempt to control the straight up of "time-travel TV series", and the aesthetic demand of the audience for "time-travel TV series", strongly elaborates what is the future way for "time-travel TV series" in China, how to go further, and other points, which are also the key issues attempt to be resolved and explored and in this paper.