Female Image Analysis Perspective The Plight Of China’s Fourth Generation Of Directors Culture

Since the80s of last century feminist theorycame to China, it provides a gender perspective to film criticism, and film-making. But because of Western feminist theory is rooted in Europe, the Third World by the female body itself "local patriarchal colonialism and imperialism to suppress the double "and the Enlightenment and the local community linked to the national, Chinese film theory about Feminist theory often as a reference system in the movie industry for women’s studies, the focus will be placed on women in the study of genderdifferences in factors such as female desire to deconstruct "Phallocentrism logos"(male chauvinism), and the text of the fourth generation of male directors be generally regarded as male chauvinism works to study, to the neglect of the fourth generation of Directorsfemale image as a reference to interpret the female moral and cultural significance in the construction of male text, and this reflects the culture of the fourth generation of the director’ s dilemma.This article works through the fourth generation of female directors to study and refute the allegation that the image will be the fourth generation of fully defined as "language in the film, traditional and modern, emotional and rational factors such as multiple antinomy" of that concept. To women as research subjects, not only because the fourth generation of female directors in the fourth generation as a narrative of the main account for72.3%of all the works, more importantly, the director of women’s narrative in the fourth generation in the deep inner reflectionEvolution of cultural ideas, creative director at the fourth-generation types, especially the female image of the set completely covers reveal the identity of the fourth generation of the intrinsic characteristics of the director, the replacement of political and sexual, creative and cultural awareness in the three phaseschanges in the track. This paper will combine feminist criticism, ideological criticism in the interpretation of obscure narrative perspective, gender identity, Themes in the Cultural Dilemma of the fourth generation, creative concept of change.This paper has three significant theoretical innovation points: First, the first to compare the system with the fourth generation of feminist theory on the works of women directors and significance of the image are divided, classified, and combined with localization context of the Chinese women’s traditional moralmeaning, and enlightenment by the men involved in the combination of cultural significance of women; second, combined with specific cultural background of80years, the film’s cultural system, the image of women and refute the allegation that the fourth generation of fully defined as "in the filmlanguage, tradition and modernity, emotion and reason, such as multiple factors antinomy "of that concept and focuses on the" Cultural Revolution and the feudal culture type individual youth review type "," social reform during the type of "three time in the femalethe deep meaning of the image, in order to explore the creation miss the Evolution of Culturethe in the fourth generation of directors. Third, the paper by drawing on feminist criticism, ideological criticism and narrative theory to explain the correlation in the fourth generation of women directors in the image, and thus generalize women from potential ideological of the discoursethe feudal Cultural Revolution Theme, deprivation characteristics of the individualRecalling the history of youth and lack of narrative and desire, the deep meaning of the social reform themes in the pursuit of urban civilization, described the concept of the fourth generation of the transformation process.