《Teahouse》 Accept Studies

Become empty and boring works by authors of the mode of traditional literary history writing the use of numerous,This article in accordance with accepted aesthetic point of view,From the "The effect of history","Interpretation of history" and "Impact history "starting,Expand research on the "Teahouse" to accept.Among them,"The effect of history" main research subject to ordinary readers and viewers,"Interpretation of history" main research subject to critics’ interpretation,"Impact history " main research subject to writers and their works.The article is divided into four parts.In the introduction describes the aesthetics of some of the basic theoretical perspectives, research value and significance.And to do a simple overview about "Teahouse" research.Use of reception aesthetics to study the "Teahouse" to accept after all, a useful attempt.There is a certain value.The first chapter "Teahouse" effects historydiscusses mainly from two aspects:The first analysis of the production of "Teahouse" and the early staged,The performances of "Teahouse" popular with viewers after the twists and turns.Behind this there are complex reasons.The second inspection the show and accepted by the audience of the "Teahouse" the situation of the new era.Chapter II "Teahouse" interpretation of the history of research,divided into three expositions:The first section discourse the diachronic explanation in the "Teahouse" theme.The comments of the critics on the early birth and comments on the "Teahouse" theme in the cultural context in the new era new features;Section II investigate the interpretation of the artistic features of "Teahouse",embodied in the new drama from the "Teahouse" concept discusses the interpretation of its artistic characteristics;Section III investigate the Jiao Juyin, cast and crew ’s interpretation of the "Teahouse" and the Beijing People’s Art’s relations with the "Teahouse";Chapter III of "Teahouse" to affect the history of research, Discourse the effect of "Teahouse" characteristics to contemporary drama; Second section analyzes the aesthetic characteristics of it.