Wang Meng’s " Idiom New " Variation Rhetoric Study

The study of micro-fiction is often neglected, Wang Meng as positive advocates and practitioners of micro-fiction early, his miniature works of a larger number of good quality, but research has only a handful. The response to this situation, this paper intends to Wang Meng representative micro Portfolio idiom New study micro-fiction, Wang Meng to do exploratory research. Combing the previous research results and condition, from the literary language variation of the angle cut, from microscopic to macroscopic surface to the deeper, more comprehensive study and analysis of the variability of this work:First, the analysis of Wang Meng "idiom New" stylistic variation from the perspective of language style. Stylistic variation is one of the morphological variation by the literary language, which led to the variegated outlook of the text. Secondly, from the language point of view of semiotic variation of the phrase New. Semiotic variation is the basis of the literary language variation and clever use of semiotic variation and the formation of the "idiom New" carnival features of the text. Again, from the perspective of language conceived to analyze the variation of the idiom New chapter. Chapter of variation is the structural changes of the literary language in the novel text variation is an important component of personalized novels, the novel presents a different kind of color. Finally, from a spiritual dimension to the novel depth variation of the aesthetic in order to achieve the inherent sublimation of the text.Proceed from rhetoric on literary language variation, in-depth text, intended to get to explore the creative theory of micro-fiction, under the vision of the literary language variation research, analysis of the variation of color in Wang Meng’s micro-fiction language, and then explore Wang Meng humor, to some extent, complements the previous research results.