Analysis Of Animation In The Shape Of Chinese Traditional Linear Drawing Language

Any artistic language is a mirror of the age. When thepainting language is used as the exercise of basicfunctions of other media or means of artistic outputsupplies, nature needs to adapt to the requirements of thevarious arts orientation on the basis of what they want.China’s current basic curriculum of animation artsmodeling mostly follow the teaching of Western"scientific" observation to analyze the shape of theobjective object. In this mode, the works mostly show asingle feature, which is supported by the law in a uniformlight source and sketch relations, and expressed in themeans of realism as the performance practices. Althoughthese methods are conducive to clear and accumulatedmodeling experience, it has a far cry from visual contextand expression of the habits, which is long-termaccumulated in the Chinese culture. It is likely to causestereotype with the lack of new ideas on languageexpression and greatly to reduce the autonomy andenthusiasm of the creators, which will not help in thebroader, deeper usage and research on China’s animationarts field, which will be seriously hindered students’self-improvement and cultivation of the aesthetic ability.It is very important and far-reaching significant toactively explore the linguistic expressions in the shapeof the basis of animation training mode, and to absorband to use the achievements of traditional Chinesepainting, the concept of the spirit of fun, expressionsand techniques, combined with the particularity ofanimation professionals, which was founded to meet theunique way of seeing the shape of animation arts basictraining in the Pan-Western.